Dear One &All,

You do not know me. I am the Invisible Geordie Writer,  Alexander Young Ferguson.

The Invisible Geordie Writer #3


Dear Readers, 

The Invisible Geordie Writer has been invisible for some time.  Being invisible I suppose iis my natural function.  But I was never more surprised as when I discovered I was the IGW than some time ago when I was informed I was drowning.  I was sitting comfortably in a chair trying to look intelligent, wearing my I’m-listening-to-you-Doc-face.  I had fluid on the lung.  Sounds like a Devon watering place.  I was ejected from the hospital at the end of January 2025 to convalesce from taking tiny white tablets and urinating twenty-four/seven.  No heroics.  How can one face anxious family & friends asking, “How was it, old chap?”   How could I tell them I drank Kielder dry peeing into nappies big enough to accommodate a hippopotamus?   I smiled modestly to say, “Nurse gave me a badge.  I WAS BRAVE.  Still got it somewhere.”

 

I diverge.

 

BANGLA BOYS has been  published and doing well.  The Boys have their book  A delicious supper is delivered at six every Saturday evening.  For which I am very grateful.  I was coming to an end of my leading Bold As Brass, the young people’s theatre company, when I wrote the Boys a script for a film.  Couldn’t find the support to  make the film, but I’ve kept my promise and written the book.

 

You may remember back in 2023 my eldest great granddaughter Tameeyah and I set out to write a book together.  I’d never worked with a nine-year-old before.  We tussled with the plot.  Dialogue was easier.  I played the adults and Tameeyah corrected my child dialogue.  We went off in one direction.  Then changed course and started again.  Now in May 2025 The Brankley Mound . . .A Tale of Magic & Mystery . . .Suitable for brave children. . . has been published.  Authors the old  man & Tameeyah Wells. I was slightly surprised to find it’s a very good story.  It reads real to me because of Tameeyah’s participation.  We worked weekly by portal as she lives in Leicester.  When the excitement dies down hopefully we’ll start again on a new book?

 

Uncle Freddie fans wwill be delighted to discover that’s he’s been promoted by the BBC to Golden Oldie and will be available to have episodes  downloaed from August.  I must go digging in the mountain of material in the old computer recently set up by a grandson-by-law.  Which classification bewilders my granddaughter.

 

Scratching in the foothills I have found unfinished work from long since.  Once upon a time, dear children, there was in the stubborn township of South Shields perched precariously on the  mouth of the river Tyne, a quiet little park known as the Romain Remains.  Up on  the Lawe above the river a haven of peace.   Rarely visited.  I loved the place as did others.  It  was the  Roman fort of Arbeia controlling the river, feeding Hadrian’s Wall and the failed attempt to build a further wall in Scotland.   The last garrison, the Fifth cohort of Gauls, marched out in 410 A.D.  The shadow of the fort was laid out by Victorian historians who wore beards more ferocious than barbarians.  We patrons liked it that way.  Simple notices on barrack rooms, storehouses, administration & headquarters.

 

Then along came television and Mortimer Wheeler, an ambitious archaeologist.  Everything changed.  It was decided to rebuild the West Gate.  The quiet haven became a building site.  The neighbouring school was demolished in part, Edith Street, Fort Street vanished.  Volunteers were invited to come scratch the familiar earth.  A ploy to demonstrate that the local community was involved.  The University students soon took over.  I joined to scratch and listen to my fellow scratchers & the old faithful, sharing tea & aching knees.  There was a deep resentment at the  manner in which this new ‘management’ behaved.  I gathered material particularly from the old park patrons and I began to write stories.    BBC Morning Story broadcast a story I wrote ridiculing the West Gate project.   It caused a great deal of fuss which betrayed how self-important the administration had become.   The older folk asked me not to write any more stories and I agreed.  I was very young.  In between working on the family history I’ve been writing stories set around the West Gate.  I’m titling the little book STORIES I  PROMISED NOT TO WRITE.  I hope to be forgiven,

 

Why do I so dislike this rebuilding of an ancient structure?  The Tower of London, the Mary Rose, Hadrian’s Wall are real.  The West Gate at Arbeia is a conceit.  It’s not real.   It’s a place where middle-aged men & teenagers  may ponce about in plastic armour pretending to be Roman legionaries.  When family went to visit the attraction this last weekend the site was closed for the Easter Bank Holiday.

 

Here’s the story that caused all the fuss.

COMMAND PERFORMANCE

Bernard Merriwold regarded the biscuit with a deep sense of satisfaction.   It was a large Milk Chocolate Digestive.   With a dusting of fine crumbs that suggested its democratic origin rubbing shoulders with its peers.

 

The biscuit was without blemish.   Not like so much one encountered in this museum business: cracked, broken, stained, completely useless stuff.   His first impression was that three-quarters of their so-called treasures might well be dumped on the Council tip.

 

That was the problem with the Past.   So much of it was, dare one say it ?   Obsolete?   Three syllables of heresy to his new colleagues.    To be perfectly frank, ol'sport, what does it matter anyway?   Who cares a toss about the Romans or the Ancient Brits?   Do they bring in bums on seats?   They do not.   Thumbs down.  Bernard would change all that.

 

 Of course, when one moved to the alien North one accepted a distancing from the centre of things, but in his new capacity as Coordinator of Antiquities & Social History, a mint-condition biscuit, a china teacup, an unsullied saucer and a shining spoon, every day, twice a day, made up for a lot.

 

How he wished he had been in on the team's latest project!  The reconstruction of the West Gate of the Roman Fort.  How he envied them the kudos.  There had been nothing like it since the Byker Wall.

Perhaps with the passing of administrative time the beginning and ending of the project might blur?   So that, sucking his pipe, modestly silent, but with a gracious nod of acknowledgement, he might claim a modicum of the credit for this splendid achievement.   Still there was yet the visit of  Her Majesty to come.  Now we're talking Merriwold-OBE-time, ol’sport!   He would ensure he was at the old lady's elbow.  Both elbows.

 

The West Gate was only an indication of what might be achieved career-wise with Antiquities & Social History.   On his first visit to the Roman Fort he had been generous with his praise, but duly critical too as befitted a new leader.

 

The West Gate was a potential charabanc all right; but, honestly, ol'sport, who is really interested in all this old rubbish?  What date was your last entry in the Visitors' Book?  And that prat only wanted to use a toilet.   His comment says it all.   Toilet as ancient as the Romans.

 

Don't misunderstand me, nobody is more of an officiando for history than Bernard Merriwold, but it has to be relevant.   It has to be contemporary!  If it's not socially significant it's a dead canard.   Euro fund-wise.

 

Why not, he suggested, get rid of all these old stones, tidy the place up a bit and build a permanent exhibition of Roman life?   An orgy in full flesh tones with Dolby sound?   Gladiators locked in immoral combat?   There must be dozens of unemployed willing to fight and die in the arena?   Perhaps slaves being whipped failing to keep contract dates for Hadrian's Wall?  Think of the job-creation possibilities! 

 

 I suggest we clear and landscape the whole site.   Build something tasteful, Asda-Farmhouse-New-Heritage style in textured breezeblock.  With a Roman burgerbar in the foyer.   A videogames hall with Ionic columns ?   A jungle gym with Roman arches?  An ice cream kiosk tastefully designed as a Mithrean temple?   What was more Italian than ice cream?   Perhaps the salesman might wear a Roman helmet?  Or in the case of a girl, a breastplate?  The possibilities are endless.  Bring the past to life!

 

Bernard was very disappointed with the response of the archaeologist on site.  He had simply walked away as Bernard was speaking.  God, I hate these eggheads with beards!  You put one chukka boot on the desktop, ol’sport and they’re screaming about the patina!

 

"Look, here, Rogers," Bernard explained, pinning his reluctant colleague against a stone altar that he, Bernard, had wrongly, but enthusiastically misidentified: there's a real newsy connection with the RSVP for you!   Roman birdbaths!   Dot them about the place.   Kill two birds with one stone !

 

"Ontray noos, ol'sport, when you've seen one heap of Roman rubble you've seen 'em all.   Besides there's this disease.   Not ay good image.   Not ay saleable image, ol'sport."

"What disease? " the baffled archaeologist had asked.

" Legionaires' disease," said Bernard.

 

 Behind the barricade of his executive walnut desk Bernard was at peace with the world.   His proposal to turn the West Gate & Roman Fort into a theme park was now circulating briskly through all the appropriate departments.   The Chief Executive had written on the cover: A truly amazing document.   Who is this man Merriwold?   Rare praise indeed!

Dunking his biscuit, sipping his coffee, humming a symphony of self-satisfaction, he was sketching a tentative outline of a new brainstormer.  A project that might well outdo even the West Gate Theme Park.

 

 It had come to him in a lightning flash as he drove down Baring Street.   How about rebuilding a slum!   A typical Geordie ghetto.   Would it be possible to take it further?   Could families be persuaded to live within its artfully crumbling walls embroidered with damp?  They'd jump at the chance.  They were used to deprivation and semi-starvation.  Surely a godsend to the homeless?   A testimonial perhaps from SHELTER?

 

 There were certainly dozens of useless old plebs about.  An old man and woman had nearly committed suicide when Bernard accelerated to beat the lights.  They'd be queueing up to get into the project.  COME SLUM WITH US !   What a title!   That would bring in the euro money.

 He was beginning to sketch a presentation with one of his new pencils, inscribed with his name in gold, when his telephone buzzed.

"Yes," he sighed irritably, "Didn’t I say no phone calls? I'm very busy."

"Sorry to disturb you, sir, but it's Arthur Barraclough.   Says it's extremely important he sees you."

Bernard sighed.   It was ever the fate of Renaissance man to be interrupted by a person from Poldark.

"If he must, he must," he sighed, "Send him in."

 

"Good morning, Councillor," said Bernard, diplomatically.

"Councillor?" his visitor said, "Not yet."

"How'd'y'mean. . not yet?"

"Nobody'll vote for iss," said Arthur Barraclough.

"Phyllis," Bernard said savagely, squeezing the receiver as if it were her throat, "Why did you tell me Mister Barraclough was one of our Members?"

The voice in his ear said, "My name is not Phyllis.   I did not tell you that your visitor was a Councillor.   Will that be all?"

 

The chap had the nerve to take a chair without invitation, pulling it up to the desk front and smiling fondly at Bernard.

"As you can see,” said Bernard, “I'm very busy.”

"So I see," said Arthur Barraclough, smiling admiringly, "Uneasy shits the head that wears the crown."  

Did he say shits ? Bernard asked Bernard.

 

 His visitor was a big man bulging in all the wrong places.  With a face shining like the full moon.   His spectacles frame Bernard noted with distaste was jury-rigged with sticky tape.

"I tried to see you last week."

He smiled at Bernard.   His scanty hair was glued to his head.   Big clumsy hands held a supermarket cardboard box.

"Well, you're seeing me now," Bernard retorted.

 What does he smell of?   Apart from stale cooking fat.  Camphor?   Suddenly he realised that the man had wrestled his Sunday best from the ravenous grip of moths for this interview. Now we're talking status-time!

"You don't recognise me, do you?" Arthur Barraclough smiled, nodding like a china mandarin.

"Should I, Mr. Barraclough?"

 

Suddenly his visitor was on his feet.   From the cardboard box he pulled out a badly made laurel wreath that he perched on his head and a tablecloth with tassels that he draped about his shoulders with a flourish.  Bernard shot back in his chair, alarm bells ringing in his bladder.

"Good God, ol'sport!   Are you all right? "

 

Even Bernard recognised the folly of the question when it was patently obvious that Arthur Barraclough was anything but all right.

"Salway," cried Arthur, reaching across the desk to seize Bernard by the forearm.   Bernard struggled helplessly in his iron grip until he realised that his assailant was simply seeking to shake hands,   Hollywood Roman style.   Bernard fell back into his chair in a cold sweat of fear.

 

"Sextus Calpurnius Agricola, imperial propraetorian legate to their Imperial Majesties, Caesar Marcus Aurelius Antoninus Augustus and Lucius Aurelius Verus Augustus, " declaimed Arthur Barraclough solemnly, as dignified as any middle-aged man dressed in a plush tablecloth and laurel twigs purloined from the park can possibly appear, "Commander of the imperial fortress, Arbeia, Defender of the Northern shore."

   I've wet myself, thought Bernard.   How did this loony get in the building?   My God, but he's strong!   Dare I risk the phone?

"Shall I. . shall I ring for coffee?"

"An undeserved privilege," Sextus Calpurnius declared, "I come but to present my compliments to your Honour, Lord of Brigantia, on my return to duty at the Fort.  Fear not!  Citadel and citizens are safe in my hands.   You have but to command, my Lord.   And it shall be done."

 

He paused as if awaiting a reply, staring at the Borough logo above Bernard's head.  The traditional coat of arms had been discarded and a winning logo selected from competition entries submitted by the mentally deranged.  Bernard's mouth was dry.  He summoned up his faltering resources.

"Well, that's fine, Sextus, ol'sport," he stumbled, "Glad to know you're on the team.  Same goes for me.   If there's anything I can do for you, just. . . well, it's super to know the Fort's in good hands.   Very reassuring."

The Commander smiled down at Bernard.

"Please accept this token of my regard."

 Bernard opened the small box cautiously.   It contained a dog turd.

 

"Really super," ventured Bernard, "Thank you."

"Cave canis!"

"My thoughts exactly," agreed Bernard.

"Then shall I leave you, my lord," declared the noblest Roman of them all, "Doubtless you have business of state to conduct.   Sal-way atque Var-lay!"

With a flourish of his tablecloth Sextus Calpurnius Agricola backed respectfully from Bernard’s presence, and vanished.

 

Bernard held his breath until the door closed and waited for his secretary to scream. There was no reaction. He reached for the telephone.

"That visitor, Phyllis. . Arthur Barraclough.   Just who is he?  I found him somewhat odd?"

"Oh, he's one of our local eccentrics, Mister Merriwold,” she said sweetly, "Perfectly harmless.   Didn't you know?"

Gritting his teeth, Bernard said, "Why did you let him in here?"

"Because you said so, Mister Merriwold.   Will that be all?"

You wait, thought Bernard, but the immediate problem was how to get past her desk.   He must change his trousers.  What would Cordelia say?   Doubtless she would smell a rat.  What to do with the dog turd?

He hid the box in his bottom desk drawer.

 

The day of Her Majesty's visit dawned bright and cloudless.   Bernard sat behind his desk, immaculate in his interview suit, re-reading for the umpteenth time the itinerary of the Royal visit.   Oh, happy day!

 

Her Majesty would make two stops to meet notables.   The Town Hall and the Roman Fort.   Bernard had wangled himself on to the list of those meeting the gracious lady at the West Gate.  The Town Hall was old hat.   The West Gate Theme Park, as he liked to think of it, was where the action was at.  We're talking royal-shoulder-rub-time here, ol’sport!

   The buzz of the telephone interrupted his happy reverie.

"It's Mike Rogers for you.  The archaeologist?   Shall I put him through?"

God, that hairy eggplant at the Fort!   Now what?  When the West Gate Theme Park starts rolling you'll be the first to get the boot, ol’sport!

 

Bernard snapped, "Well?  You do know what today is, don't you? "

"Exactly so," said the voice in his ear, "Did you tell Barraclough that he could take over my Fort? "

"Oh, my God!"

"I take it you did.   Well, he's up on the West Gate.   In full cardboard armour.   And he won't come down.  He wants Bernard, boss of the Brigantes.  That, I understand, is you, Merriwold? "

" Oh, my God! " Bernard repeated.

"Is that all you've got to say?"

"Oh, my God!"

"Well I don't think He's going to help us.  So, Merriwold, shift your royal arse over here, and bring that loony down before you-know-who arrives!   Or we'll all be looking for new jobs."

 

Arthur Barraclough was marching up and down the battlements.  In full armour.   Brandishing a sword.  A real sword?   God, I hope that's kitchen foil!

Bernard scurried into the tower room where Mike Rogers growled, "You took your bloody time.  Hurry up.   Get that suit off."

When Bernard gawped he snarled, "He'll take no notice if you're not in costume.   Do what you're told.   Don't waste any more time!"

Protesting at the presence of Rogers' woman assistant: "Have you something I haven't seen before, Mister Merriwold?"

Bernard undressed to his underpants.

 

"Now what?"

  Before he could protest further Bernard found himself daubed bright blue.

"Woad," said Rogers, "What did you expect ?  How about a big yellow streak down the back?"

   Bernard bridled at the suggestion of cowardice.

"I'll bring him down, don't you worry."

The woman rubbed grease into his scalp spiking his hair grotesquely.

"What are you doing, you stupid cow?"

"Go!   Go!" urged the archaeologist and thrust the wooden sword into his blue hand.

 

Bernard stumbled up the tower steps.

"Greetings, Sextus Calpurni. . . " was as far as Bernard got before Arthur Barraclough was upon him, his sword flashing in the morning sunlight.  My God, thought Bernard, he's going to kill me and parried the blow.  Fighting for dear life he was vaguely aware of the sound of cheering as the royal limousine drew up at the West Gate.  The battle raging on the battlements caught her Majesty's eye.

 

"The Entertainments Officer, Ma'am," said the archaeologist, "And a friend."

"What fun!" cried the gracious lady, clapping her hands, "And which is the Entertainments Officer?"

"The chap painted blue, Ma'am."

"Splendid, simply splendid," said the Queen, " Quite the Command Performance, wouldn't you agree?"

The real I.G.W. was my friend Tom Hadaway, a lost child who was a brilliant writer disguised as a North Shields fishmonger.  He was robbed of his TV series When the Boat Comes In because he said it wasn’t real & it wasn’t.  He accepted a commission to write a film in Australia and lost it because he wanted to write the story of an aborigine woman whose birthplace was a fence post.   I talked to him on the telephone the night before he left us.  Our loss.  A  true spirit.  I am proud he called me friend.

 

I shall be on Shields promenade this Summer.  To win a prize you have only to tap me on the shoulder  and announce, “You are the Invisible Geordie Writer.” 

 

March on!

I.G.W.

 

AMAZON:Alex  Y. Ferguson;writer



The Invisible Geordie Writer #2


Dear One & All,

You do not know me. I am the Invisible Geordie Writer, Alexander Young Ferguson. When my nine-year-old great granddaughter suggested we write a book, I foolishly agreed.  For eighteen months we have shared the creation of this children’s story.  Together we developed the characters and the plot, meeting by portal every week to argue & agree direction.  I typed the script.  Tameeyah’s voice is every child’s voice in the book. 

The Armstrong family moved from workaday Leicester to the ancient county of Brankleyshire.  Their daughter Tameeyah entered a new world and very soon began to realise everything in this quiet village was not what it seemed.

First response:  I thought I’d let you know that I read the book yesterday.  What an amazing and lovely book.  I thought I’d let you know.  Thank you.  A.A.

March on!

I.G.W

Alex Ferguson



The Invisible Geordie Writer #1


Dear One & All,

You do not know me. I am the Invisible Geordie Writer, Alexander Young Ferguson. My father’s family is from Aberdeen and there you honour your mother’s name. It is difficult to find me on Amazon by mischance of a certain retired football manager of the same name. At one time he was offering six of my books for sale. Even adding the Y hasn’t helped. So I thought I should say a word in my own defence, m’lud.

I was five when I wrote my first book. Written in pencil with pages sewn together by my own clumsy fingers. It was called Aesop’s Fables by Alex Ferguson. I took four of the old man’s fables and changed the endings. To give you an example. There was a grasshopper who spent the summer entertaining the diligent ants at their labour. When Winter came the grasshopper presented himself at the door of the ant who turned him away with a moral lecture. I sorted that out. The ant opened his door and greeted the freezing grasshopper, saying, “Come on in, old chap! Your music lightened our burden when we toiled in the fields. You’ve earned a place at my fireside. Have you brought your fiddle?”

A heart warming story that was an immediate success. I made two copies. My grown-up sister Peggy bought a copy, but I never got the sixpence she promised. I took the other copy to the bookstall at Shields railway station. I asked for Mr. Smith. The man said he’d gone to change his library book and what did I want. I explained about my book. I read him a story. There was a lull between trains. He said how much he enjoyed it, but he was sorry, but they were overstocked.

As I struggled through school, spending a lot of time in the corridor for asking questions, I continued creating stories authority considered reprehensible: He is incapable of telling the truth. He believes he is related to Alexander the Great.

To my surprise I was lauded as Young Poet of the year 1951 by the BBC. My Mam wasn’t impressed. She said I’d never earn any money writing pomes and I’d probably die in an attic. Which wasn’t much of a threat as we lived in two rooms above a bakery. But my Dad said people’ll think you’re a cissy. So I gave up writing pomes.

I started writing for Morning Story [Radio Four] and graduated to story series. Then I wrote stories about my Uncle Freddie: The Pineapple King of Jarrow & other stories. It was my first book published. To my surprise there followed an invitation to develop the stories for radio. The series ran for six years on Radio Four winning Gold & Silver Awards from the British Writers Guild.

Over the years I built a creditable CV in Radio drama. With a growing reputation the producer decided we hire a proper actor for a change so we took on Corin Redgrave. I wrote his only radio play, WALPAMUR & CARDBOARD which turned the spotlight on the Pitmen Painters.

I worked for four happy years with Corin & Vanessa Redgrave’s Moving Theatre. THE FLAG, applauded by Nicholas de Jongh played successfully at Battersea Lane and CASEMENT won every Irish heart at the Riverside. For some reason we had to burn an Irish flag. Being the only unemployed member of the team I was sent outside with the props girl to do the dirty deed. I had only just kindled the flame when I received an almighty kick up the pendulum smacking my head against the wall. Barely conscious I accepted apologies from an Irish gentleman after the props girl explained the situation. He was assured of free seats at a performance. He had only to tell the box office he was the man who kicked Alex Ferguson up the alley.

Corin’s unfortunate death stopped the development of my adaptation of Cronin’s THE STARS LOOK DOWN. The play was performed by the Northumbrian Touring Company and won an award at the Touring Theatres festival. I wrote a number of plays for the NTC.

I wrote for television: Ruth Rendell, Dream Team, Wycliffe. It wasn’t particularly enjoyable. I was expected to follow a worn path.

I wrote a better ending for a Ruth Rendell piece, but the lady was much displeased and I hid in the Gents ‘til she calmed down.

Creating Bold As Brass, a young people’s theatre company, fifteen to twenty-five, was much more to my ganning. I directed & wrote with them for twelve years, creating some thirty playable pieces. The play BLISS! evolved into BLISS the feature film, invited to four international festivals including Edinburgh.

BaB’s greatest triumph was being catapulted uptown to the Jermyn Street Theatre in the West End with DO YOU SEE WHAT I SEE? It ran for a week very successfully. After the evening performances I would walk away from the cast on the pavement, a seemingly lonely figure. Actually I was brimming with joy at seeing the gang signing autographs for their admirers. I could tell you stories about these young people. Perhaps I will.

Success in London seemed a fitting ending of me as leader as my legs were failing and chasing young actors to stick to the script was becoming too tiring, I bade farewell to a wonderful gang of young people. I started to write books as you can do this sitting down. There are now some twenty of my books on Amazon.

I’ve spent the last two, three years writing the true story of life as it was lived by my dear wife Moira and me, disguised as two young people, Mary Rhodes & Mickey Miller. The book is The Girl in the Sweet Shop. To my surprise I discovered readers wanted to know what happened next. So I wrote their continuing story. The Girl from the Sweet Shop.

At the moment I’m busy 2-5 p.m. seven days a week writing . . .

Alex Ferguson